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在由空间向时间发生隐喻的过程中,トコロへ存在着大量处于二者过渡阶段的场面状况义,这种中间用法对探讨空间隐喻的机制有着重要的意义。本文以トコロへ为对象,把「S1ところへS2」结构分为空间概念和时间概念进行考察。在空间概念中,图形和背景构成“点∈范围”、“范围2范围1”、“范围2|范围1”的关系。在时间概念中,当トコロヘ的前项为持续体,后项为完整体时,图形和背景构成“点∈线”的包含关系,当前后项都是完整体时,图形和背景可以构成“点2=点1”的同时关系或“点2|点1”的继起关系。空间域和时间域中图形和背景关系的相似性就是トコロヘ的空间隐喻产生的根本机制。
In the process of metaphor from space to time, there are a large number of scenes in the context of the transition between the two states. This intermediate usage is of great significance for exploring the mechanism of spatial metaphor. This article, based on Topo, classifies the structure of “S1 and こ ろ へ S2” into two categories: concept of space and concept of time. In the concept of space, graphics and background form a relationship of “point ∈ range”, “range 2 range 1”, “range 2 | range 1”. In the concept of time, when the front item of Topo is continuum and the back item is complete, the graphic and the background form the inclusion relation of “point ∈ line”. When the current back item is complete, the graphic and the background can form “Point 2 = point 1 ” while the relationship or “point 2 | point 1 ” the next relationship. The similarities between the graphic and the background in the spatial and temporal domains are the basic mechanisms behind the spatial metaphor of Topo.