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楹联与书法在清中叶各自呈现出高度繁荣的景象。由于历史社会背景及诸多深层次的复合成因,二者艺术层面双重变奏,盘互交错,促使楹联书法这一独特的能动艺术形式在清代得以迅猛发展遂至鼎盛。若单纯从平面的角度来分析楹联或书法现象,就难以窥见其共同的艺术走向,因此有必要就其鼎盛成因探赜索隐,为研究楹联书法艺术的发展及衍生寻觅到可靠的理论依据。由于学科高度交叉和综合导致复合型人才的缺失,因此进行关联性的学科探索,加强综合修养以提升视野,推动楹联书法艺术的可持续性发展,当任重而道远。
Couplets and calligraphy each showed a highly prosperous scene in the mid-Qing period. Because of the historical and social background and many in-depth complex causes, the two art variations and the interdisciplinary discourse caused the unique movable art form of Lianhe Calligraphy to flourish in the Qing Dynasty. It is difficult to glimpse the common art direction if the couplets or the calligraphy phenomenon are simply analyzed from a plane perspective. Therefore, it is necessary to probe into the causes of its heyday and seek a reliable theoretical basis for the study of the development and derivation of the calligraphy art. Due to the high degree of cross-discipline and the combined lack of compound talents, it is a long way to go to explore relevant disciplines and enhance comprehensive cultivation so as to enhance their horizon and promote the sustainable development of the calligraphy art.