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南朝王僧虔提出的“神采为上,形质次之”以及唐代张怀瓘提出的“唯观神采,不见字形”的抽象观点说明了中国的艺术家在对艺术本质的认识上要早于西方一千多年。就是将这样两个论点来作为西方现代抽象艺术的行为纲领也是非常适合的。所以搞中国画创作要注
The abstract view put forward by the prince and monarchy in the Southern Dynasties that “the appearance of the god is the uppermost and the form of the essence” and the “magnificent and untouched” proposed by Zhang Huai-tang in the Tang Dynasty demonstrate that Chinese artists want to know the essence of art As early as the western one thousand years. It is also very suitable to regard such two arguments as the program of action of modern Western abstract art. So make Chinese painting to note