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如何以从艺术家的艺术实践中,剥离出一条在过去并未被作为主干的清晰线索,并以尽量简洁的方式呈现在纸面上,是这次纸上展览的初衷。作为引子,先简要叙述下本次展览的项目原点。仇庄位于江苏省最北部丰县的一个自然村,距北京以南约800公里,距华东重镇徐州约100公里,拥有约1000人口,这里也是艺术家李牧的故乡。仇庄计划从2013年初开始,李牧陆续复制了一批荷兰Van Abbe美术馆的藏品以不同形式在仇庄进行展示,并在村里建立了一个图书馆。
How to strip away from the artist’s artistic practice a clear clue that has not been the backbone of the past and present it on paper as concisely as possible is the original intention of the exhibition on paper. As a primer, first briefly describe the origin of the project under this exhibition. Chouzhuang is located in a natural village in Feng County, the northernmost part of Jiangsu Province, about 800 kilometers south of Beijing and about 100 kilometers from Xuzhou, a major eastern city of China. It has a population of about 1000 and is home to artist Li Mu. The Qiuzhuang Project From the beginning of 2013, Li Mu successively copied a collection of collections of the Van Abbe Art Museum in the Netherlands in different forms in Qiuzhuang for display and set up a library in the village.