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人们通常认为，儒家美学思想的一个重要特征是讲求朴素与实用，反对奢靡华丽，并且据此把“朴素为美”的美学观升华为中国传统文化的基本观念之一。这样来理解儒家美学观是不全面的。事实上，儒家美学观存在着内在的矛盾，它既有提倡“节用而爱人”即赞同朴素与实用的一面，又有重视外表的“文饰”即提倡绚丽与华美的另一面。在儒家的美学思想体系中，绚丽与华美都是权力、地位和礼仪的象征，又是同他们所提倡的“礼”的思想紧密联系着的。对“朴素为美”的提倡，更多地表现为道家、法家和墨家的美学观。在中国美学史上，儒家美学中对绚丽与华美的赞赏，很难得到民间的认同。追求绚丽与华美的美学态度和艺术风格，还常常受到泛道德化的批判。
It is generally believed that one of the important features of Confucianism’s aesthetic thought is to be simple and practical, to oppose extravagance and magnanimity, and to sublimate the aesthetic concept of “simplicity as beauty” into one of the basic concepts of Chinese traditional culture. It is not comprehensive to understand the Confucian aesthetic view in this way. In fact, there is an inherent contradiction in the Confucian aesthetic view, which not only advocates “love and love”, that is, agree with the simple and practical side, but also attach importance to the appearance “decoration ” that advocate brilliant and gorgeous side . In the Confucian system of aesthetics, gorgeousness and beauty are symbols of power, status and etiquette, and they are closely linked with the ideas they advocate. Advocacy for “simplicity for the United States ” shows more as the aesthetics of Taoism, Legalism and Mohism. In the history of Chinese aesthetics, the appreciation of gorgeousness and gorgeousness in Confucian aesthetics can hardly be recognized by the people. Pursuit of beautiful and gorgeous aesthetics and artistic style, but also often criticized by the pan-moral.