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凯伦·布利克森(1885-1962),笔名伊萨克·迪内森,以描写非洲经历的自传体小说见长。小说家生前并未受到评论界太多重视,去世后随着影片“走出非洲”带来的全球轰动效应,人们才开始重新关注这位已去世多年的丹麦女作家。本文一方面想探究为何在20世纪60年代前女性作家的作品大都会处于一种被淹没状态,另一方面也从凯伦·布利克森的个性因素着手,分析一下为何女作家有意淹没自己的声音,以及她又是如何借助丰富想象宣泻受压抑的情感。
Karen Brixen (1885-1962), pseudonym Isaac Dynesen, was known as an autobiographical novel depicting African experiences. The novelist did not pay much attention to by his critics. Before his death, with the global sensationalism of “Out of Africa”, people began to pay attention to the Danish woman writer who died many years later. On the one hand, I want to explore why the writings of female writers in the 1960s were in a state of submergence, and on the other hand, Karen Brixen’s personality factors, analyze why women writers intentionally drown themselves Voice, and how she is depressing her emotions by enriching her imagination.