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姜澄清:二○○二年以来,姜寿田先后出版了《中国书法理论史》、《当代国画流派地域风格史》、《现代画家批评》及《现代书法家批评》;现在,另一部著作《魏晋南北朝书法史》(《中国书法史绎·本体卷》)亦已脱稿,在学风浮躁的当下,如此不凡的成绩,实在令人钦佩!与书法批评同,姜寿田的画学批评也是不可多得的力作。近十年来,他完全沉入现当代书画的研究中,在理论界这样全身心投入“批评”的人,寥寥无几!
Jiang Chengqing: Since 2002, Jiang Shoutian has successively published “History of Chinese Calligraphy Theory”, “History of Contemporary Chinese Painting Schools”, “Criticism of Modern Painters” and “Criticism of Modern Calligrapher”; now, Calligraphy History in the Wei, Jin, Northern and Southern Dynasties “(” History of Chinese Calligraphy Volume ") has also been abolished. It is indeed admirable that such an extraordinary achievement in the moment is impetuous. As with calligraphy criticism, Jiang Shoushian’s criticism of painting is also immeasurable Got the masterpiece. In the past ten years, he has completely sunk into the study of modern and contemporary calligraphy and painting. Only a few people in theory have devoted themselves to criticism.