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《为钢琴而作》是德彪西中期的作品(1901),包括前奏曲、萨拉班德舞曲、托卡塔。前奏曲采用了五部三部曲式,节奏变化多样,有点爪哇“加美隆”的感觉;萨拉班德采用了二部曲式,结构上很有规律,刚开始连续的七和弦和九和弦的进行,给人一种庄重深层的感觉,节奏也是舞曲常用的三拍子,但是第二拍时值较长;托卡塔也叫触技曲,是德彪西最辉煌的钢琴作品之一,同时也是检验钢琴家技术的试金石,这首作品曲式结构十分清晰,和声变化丰富,各种调式交织在一起,绚丽而流动。本文对这部作品中的三首曲子的艺术特征以及演奏要点进行简短的分析,阐述德彪西音乐独树一帜的特点。
The Making of the Piano is Debussy’s medium-term work (1901), including the Prelude, the Sarabande, Tokatta. Prelude with five trilogy, varied rhythm, a little Java “Jimei Long ” feeling; Sarabande adopted two music, the structure is very regular, the beginning of the continuous seven chords and Nine chords, giving a solemn sense of depth, the rhythm is the dance of the three beats, but the second beat is longer; Tokatta also called touch teaser, is Debussy’s most brilliant piano works First, at the same time, it is also the touchstone for testing the pianist’s technique. The song’s composition is very clear and the harmony is rich and varied. All kinds of interweaving are intertwined and gorgeous and flowing. This article briefly analyzes the artistic features and key points of the three pieces in this work and expounds the unique features of Debussy music.