在莫言早年的作品中,人物的性格内涵往往是建立在生命与伦理的意义基础之上:《红高粱》中美丽而野性的“我奶奶”戴凤莲,《丰乳肥臀》中坚忍而顽强的母亲上官鲁氏,《檀香刑》中风流而妩媚的“狗肉西施”孙眉娘,等等,她们往往带有很强的传奇性与诗意,人物的内涵当然也很丰富,但与此同时,她们也常常是当代文化与政治的绝缘体,不太能够与当代中国的社会政治与历史进程产生瓜葛。而《蛙》中的“姑姑”则不同,她虽然也具有某些相似的个性,比如率真 In Mo Yan’s early works, the character’s connotation is often based on the meaning of life and ethics: “Red Sorghum” beautiful and wild, “my grandmother,” “Dai Fenglian,” “breast” Stubborn mother Shangguan Lu, “sandalwood punishment” in the romantic and charming “dog Shih Tzu ” Sun Meiniang, and so on, they often have a strong legend and poetic, of course, the connotation of the characters is also very rich, but at the same time They are also often the insulator of contemporary culture and politics, and they are not able to make any difference with the social politics and the historical process in contemporary China. The “frog” in the “aunt” is different, although she also has some similar personality, such as rate