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笔者认为宋末元初本《搜山图》中对妖怪拟人化的处理和对搜山大篇幅的描绘,实现了对以往这个主题的颠覆诠释,这一转变给吴承恩等带来微妙的心理转变,影响到他后期创作《西游记》时对二郎神的形象塑造上。
The author believes that the anthropological treatment of monsters and the large space of mountains in the “Sutra Map” in the late Song Dynasty were described as subversive interpretations of the past. This change brought subtle psychological changes to Wu Cheng-en and others. Affecting his late creation “Journey to the West” Erlang God’s image on the building.