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在当代中国,由于多种复杂的原因,有些人在学生时代所学的专业知识,到走向实际工作后往往用不上,或不能用,得改行从头学起。例如,学油画的,改行搞了戏剧;学雕塑的,改行去搞摄影,等等。这是当代中国文化中的一个很值得研究的现象,对于这个现象作些认真的研究,也许能从中找出一些于中国文化发展有益的启示。这里向读者推介的业已过知天命之年的中国美术家协会会员,长沙市美协常务副主席、花鸟画家柯桐枝,就是这样的一位很有些研究价值的人物。
In contemporary China, due to a variety of complex reasons, some of the professional knowledge that some students learned in their student days often can not afford to go to practical work or can not start from scratch. For example, learn oil painting, diverted to drama; learn sculpture, diverted to photography, and so on. This is a very worthy research phenomenon in contemporary Chinese culture. A careful study of this phenomenon may find some helpful revelations in the development of Chinese culture. The Chinese Artists Association, an executive vice chairman of the Changsha Art Association and flower and bird painter Ke Tongzhi, who introduced the reader to the readership this year, have been known to have a lot of research value.