一、引言中国古代人物画历史悠久,纵观画史,唐代五代是人物画的鼎盛时期,人物画造型相对严谨,宋代的人物画造型有着不求形似的倾向,元明清的人物画则细弱变形,走向衰弱。然而,与此同时的肖像画则呈现出不同的面貌,如《不空金刚像》,可以发现此画中的不空造型严谨,形神兼备。这势必和肖像画艺术理论及表现手法有关,关于这方面的材料主要体现在 I. Introduction Chinese ancient portrait paintings have a long history and take a general view of the history of painting. The Five Dynasties of Tang Dynasty is the heyday of portrait painting. The figures and paintings are relatively strict in shape. The figures in the Song Dynasty tended to have shapes and shapes. Weak deformation, weakness. However, portraits at the same time show different appearances, such as “not empty King Kong,” you can find this painting is not empty modeling rigorous, both shape and spirit. This is bound to be related to portrayal of art theories and techniques of expression. Materials in this regard are mainly reflected in