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《诗经》是我国文学史上最早的一部诗歌总集,收入西周初年至春秋中期大约五百年间的诗歌三百零五篇。它以赋、比、兴为主要艺术手法,开中国诗歌文学的先河,其中大部分是各地的民间歌谣,另有一些是贵族的制作。歌谣大致是周代下层官吏(行人)到民间采风后整理出来的。《汉书·食货志》:“孟春之月,群居者将散,行人振木铎徇于路以采诗,献于太师,比其音律以闻于天子。”由于它们大部分产生于民间,因而涉及了周代下层生活的许多侧面。《诗经》在音韵、节奏方面为后代诗歌树立了典范,而比、兴的运用,更使诗歌达到了感情和想象相融合、物我相谐、
“The Book of Songs” is the earliest collection of poetry in the history of Chinese literature. It has received 3005 poems from the early Western Zhou Dynasty to the middle of the Spring and Autumn Period. It uses Fu, Bi, and Xing as the main artistic techniques to open up the precedent of Chinese poetry literature. Most of them are local folk songs and some are made by nobles. The ballads were roughly sorted out by the lower bureaucrats (pedestrians) of the Zhou Dynasty. “Hanshu Food and Goods Chronicles”: “In the month of Meng Chun, the gregarious people will be scattered, and the pedestrians will sing on the road to collect poetry and offer them to Taishi. They will hear the emperor better than their melody.” Because most of them are produced in Folks, therefore, involved many aspects of the Zhou Dynasty’s lower life. The Book of Songs set a model for future generations in terms of rhythm and rhythm, and the use of ratio and revival made the poem reach the integration of emotion and imagination, and the harmony between the two.