伽达默尔在《真理与方法》中引入了游戏概念 ,他是从艺术作品本体论的意义上来论述游戏概念的 :游戏既不依赖于客观对象 ,也不依赖于主体意识 ,它是一种往返重复的运动 ,他充分肯定了观者在游戏中的作用。伽氏的游戏观有着非同寻常的意义 :强调了艺术作品的自我表现的本质 ,发现了艺术作品的真理参与特性 ,对我们关于方法的探讨也不无启发意义 Gadamer introduces the concept of game in Truth and Method. He discusses the concept of game from the perspective of the ontology of works of art. The game does not depend on the objective object nor on the subjective consciousness. It is a He repeated the movement, he fully affirmed the role of the viewer in the game. Gatsby’s view of the game has an extraordinary meaning: emphasizing the essence of the self-expression of the artwork, discovering the truth-participating features of the artwork, and illuminating our approach to the approach