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南宁民歌节创办十余年来影响的不断扩大,作为一种文化现象引起了人们的关注和思考。与每次民歌节过后主流媒体的一致赞美不同的是,一些专家学者和民歌爱好者经常表达出对南宁民歌节的质疑和批评。这既有城市发展和社会文化转型期的必然性,也缘于民歌节自身的一些问题。借助雷蒙德·威廉斯(Raymond williams)的“隋感结构”概念及相关理论,可以帮助我们更好地认识这一现象。通过与剑桥民歌节的比较,可以发现两者模式的差异所在,从而为南宁民歌节的改善与发展,为当代民歌文化书写的合理方式提供有益的参照。
Nanning Folk Song Festival was founded more than ten years the impact of the continuous expansion, as a cultural phenomenon has aroused people’s attention and reflection. The difference with the unanimous praise of the mainstream media after each folk song festival is that some experts, scholars and folk fans often express their doubts and criticisms of the Nanning Folk Song Festival. This not only has the inevitability of urban development and social and cultural transition, but also due to some problems of Folk Song Festival itself. With Raymond Williams’s notion of ’structure of the senses’ and related theories, we can help us to better understand this phenomenon. Through the comparison with the Cambridge Folk Song Festival, we can find the difference between the two modes, which can provide a useful reference for the improvement and development of Nanning folk song festival and the reasonable way for contemporary folk song culture writing.