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在中国历史上,对于“万”字图形的运用是非常广泛的。作为一种纹样,在众多的领域中都将其作为物品的装饰图形,经过对世界各种使用“万”字图形的物品进行考证,会发现这种纹样已经流传了几千年,至今依然在沿用。从有关的考古发掘报告中可以对“万”字图形的运用进行总结和探究,发现这种纹样的用途主要涉及到两个方面,一方面是作为装饰图样被用于服饰或者是日常用品的装饰,在图形的设计上具有多样性的特点;另一方面是作为一种符号标记,包含着丰富的寓意,具有很强的象征性。从社会历史性的角度来研究,“万”字图形延续至今,其中的寓意也随着时代环境的不同而有所变化。本文针对“万”字图形的现代视觉教学理念在提升和宣传察哈尔文化的现实意义方面进行探讨。
In Chinese history, the use of glyphs for the “10,000” is very extensive. As a kind of pattern, it has been used as a decorative figure of many objects in many fields. After studying all kinds of objects in the world that use the characters of “Wan”, we can find that this kind of pattern has been circulated for thousands of years, Still in use. From the relevant archaeological excavations report, we can summarize and explore the use of glyphs and find that the use of such patterns mainly involves two aspects. On the one hand, it is used as a decorative pattern for clothing or daily necessities On the other hand, it is used as a kind of symbolic mark, embodying abundant meanings and being highly symbolic. From a historical and social perspective, the characterization of the characters “万 ” has continued to this day, and the moral meanings of the characters have also changed with the changing times. In this paper, the concept of modern visual teaching for “Wan ” character graphic is discussed in the promotion and promotion of the realistic significance of Chahar culture.