“笔不可穷,眼不可穷,耳不可穷,腹不可穷。笔无转运曰笔穷,眼不扩充曰眼穷,耳闻浅近曰耳穷,腹无酝酿曰腹穷。以是四穷,心无专主,手无把握,焉能入门。博览多闻,功深学粹,庶几到古人地位。(引自《养素居画学钩深》)此前人对于习书作画之精论,细想曲艺创作、表演,又何尝不是如此?我自十二岁爱上山东快书艺术,并从事专业的创作与表演,至今已五十个年头。记得1961年,我初到山东快书大师高元钧身边 ”Pen is not poor, the eyes are not poor, the ears are not poor, abdomen indelible pen no transit said Penalty, eyes non-expansion said poor eyes, There are no experts, no grasp of the hand, how can we get started .Exhibition of smell, deep learning, Shu several to the status of the ancients. Since I was 12, I fell in love with Shandong Kuaishu art, and engaged in professional creation and performance, has been 50 years .Remember in 1961, I first arrived in Shandong Kuaishu masters Gao Yuan Jun side