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从作为一种整体的文学来看,在我所喜爱的外国文学中,还找不出一个国家的作家,能像俄国作家们那样痴迷执着,一往情深地描绘和赞美那一片广阔土地的田野风光和乡村生活。翻开一本书,不管是小说,还是散文或诗,总不难发现那些熟悉的景物——刚解冻的浮着冰凌的河水,报导春天来临的白嘴鸦的叫声,教堂和墓地的十字架,泥泞的乡间道路上的马车,花楸树和白桦树,黑麦田和荨麻地,以及茅草或木板房舍背后忽然闪现的少女的彩色头巾……无论是帝俄时期,还是前苏联时代,都是如此。这一点已然成为一种集体行为,一个十分突出
From the literature as a whole, in my favorite foreign literature, I can not find a writer in a country that can obsess like the Russian writers, portrayed and praised the field scenery of vast land village life. Open a book, whether it is novels, prose or poetry, it is not difficult to find those familiar scenery - just thawing floating ice of the river, reports of spring rooks, church and graveyard cross , Horse-drawn wagons on muddy country roads, rowan and birch trees, rye fields and nettlelands, as well as the colorful headscarves of girls who suddenly flashed behind the thatch or boarding houses ... both in the days of the Russians and the Soviet Union in this way. This has become a collective act, one very prominent