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如果说《花河》是长镜头,意在透视吊诡的历史致使女人们多舛的命运,以及女人们在特殊命运境遇下摇曳的人性;那么《花村》是聚焦当下更为切身胶着:省察无序的经济时代致使原本窘迫的山乡生存陷入更为举步维艰境地,且道德伦理漫漶、心灵迷乱,希冀与破灭焦虑、灵与肉的撕搏铺排了艰苦绝卓的心灵搏击场。山村农民、尤其是留守妇女,她们在极度生存困境和心灵困境下,绽放出生命的毒蘑亦或瑰丽的花朵;罪与罚同在,自发地探询救赎途径。贯穿这两部小说的文脉是历史(现实)
If “Flower River” is a long shot, the historical intention of looking through the paradox leads to the extravagant fate of women and the human nature of women swaying under the special circumstances of fate; then “Flower Village” is more focused on the present moment: No Observation The orderly economic times led to the survival of the original distress Shanxiang more difficult situation, and moral ethics diffuse, confused mind, hope and disintegration of anxiety, spiritual and physical tear strokes paved the heart and soul of the hard-hit fighting field. Mountain village peasants, especially left-behind women, bloom their poisonous mushrooms or blooming flowers under the extreme predicament and spiritual predicament. Sin and punishment are the same, spontaneously exploring the ways of salvation. The context that runs through these two novels is history (reality)