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钢琴的演奏是一项心理的活动,是演奏者思想与肢体的完美结合。在心理和思想的活动中,一个重要的部分就是注意力,在钢琴的演奏过程中,演奏者要很好的将注意力集中到钢琴的演奏中去,不受外界环境的干扰。同时,在演奏中,演奏者要将注意力集中到演奏曲目中的重点和难点中去,但是,由于同一个曲目的不同部分具有不同的难点和重点,因此,钢琴的演奏者要处理好不同重点和难点之间的过渡问题,处理好过渡问题的核心就是处理好演奏者注意力过渡的问题。在注意力的过渡中要本着三个原则,分别是及时原则、高效原则和协调原则。本文对如何提高演奏者的注意力提出了两个方法,分别是精力集中法和精力转移法。
Piano performance is a psychological activity, is the performer of the perfect combination of body and mind. An important part of mind and thought activity is attention. During the performance of the piano, the performer must pay close attention to the performance of the piano without interference from the external environment. At the same time, performers pay attention to the key points and difficulties in the performance of the music. However, since the different parts of the same track have different difficulties and focuses, the performer of the piano has to deal with the differences At the core of dealing with the transition issue is to handle the issue of performer’s attention transition. In the transition of attention, we should adhere to three principles, namely the principle of timeliness, the principle of high efficiency and the principle of coordination. This article puts forward two methods to improve the player’s attention, namely, energy concentration and energy transfer.