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从比较文化的角度探讨壮族和印度民族地域性、历史文化背景的差异,研究壮族的“天人合一”和印度的“梵我同一”对壮印传统女性服饰的影响,通过多模态比较研究其服饰图案纹样题材造型、图案纹样构图方法和服饰图案色彩搭配,以及服饰图案寓意,发现两者在这些方面的相同与异同之处,整理和归纳出壮族和印度女性传统服饰独特的艺术特点。并将在“一带一路”中印文化交流中,有利于壮族和印度女性传统服饰这两种元素巧妙地渗透和融合。对传统民族服装设计的传承与创新的应用研究具有重要意义。
From the perspective of comparative culture, this paper explores the differences between Zhuang nationality and India in terms of ethnic regional and historical and cultural backgrounds, and studies the influence of Zhuang and Yin and Han Dynasties on the traditional feminine dress of Zhuang and Indian Multi-modal comparative study of the pattern of the clothing pattern, the design of the pattern pattern and the color pattern of the clothing pattern, as well as the symbol of the clothing pattern, and finds the similarities and differences between the two in these aspects. The article summarizes and summarizes the traditional costumes of the Zhuang and Indian women Unique artistic features. And in the cultural exchange between China and India in the Belt and Road initiative, the two elements of Zhuang and Indian women’s traditional costumes will be subtly infiltrated and fused. It is of great significance to apply the inheritance and innovation of traditional national costume design.