论文部分内容阅读
谭盾,是中国当代著名的作曲家、指挥家,在国际乐坛上也享有较高的声誉,在谭盾音乐创作中,“新音色”的运用促成了谭盾在音乐创作中取得了更大的成就,他对“新音色”的运用与创新让人们耳目一新,喜爱有加,他把“新音色”与管弦乐配器结合产生了前所未有的创新理念,《地图》就是他的“新音色”代表作之一,该文通过对他的作品实例《地图》的分析,论证谭盾音乐创作中“新音色”的运用,他不同于传统的创作思维与新的视角彰显着他创作观念的独特性与新颖性,从而得出谭盾创作的伟大之处就是能把中国传统音乐元素和西洋乐有机结合,形成独具一格的创作风格,使音乐创作之路走向多元化,立体化的艺术创新。
Tan Dun, a well-known composer and conductor in contemporary China, enjoys a high reputation in the international music scene. In Tan Dun’s musical composition, the use of “new timbre” has helped Tan Dun to make even greater achievements in music creation Achievements, his use of “new timbre” and innovation so that people refreshing, like it, he “new timbre ” and orchestral devices combined to create an unprecedented concept of innovation, “map” is his Tone “, one of the representative works of” Tone “, this article analyzes the use of” New Tone “in Tan Dun’s musical creation by analyzing the” map "of his work example. Different from the traditional creative thinking and new perspective, The uniqueness and novelty of the concept, and concludes that the great part of Tan Dun’s creation is that it can organically combine Chinese traditional music with western music to form a unique style of creation, and make music creation diversified and stereoscopic Artistic innovation.