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体验美学理论认为,一个作品,既是作者的一种体验,也是欣赏者的一种体验。体验是作品的生命,它流淌的是作者和欣赏者情感的血液,涌动的是两者充满生命力的感受和思考。这种直接的体验过程及由此得出的体验结果就是体验批评。一旦体验批评超越了自身的局限,而为各个民族、各个时代的人们所接受,那么作品就不可避免地具备了永恒的艺术魅力。旅游工艺品作为重要的媒介,是中俄两国人民增进友谊,文化交流的重要手段之一。因此,对中俄两国旅游工艺品进行体验批评就显得十分重要。
The theory of experiential aesthetics holds that a work is both an experience of the author and an experience of the viewer. Experience is the life of the work, it is the emotional blood of the author and the audience, the surging is both full of vitality and thinking. This direct experience of the process and the resulting experience is the experience of criticism. Once the experiential criticism transcends its own limitations and is accepted by people of all nationalities and times, the work inevitably possesses the eternal artistic charm. Tourism crafts as an important medium is one of the important means by which the peoples of China and Russia can promote friendship and exchange of culture. Therefore, it is very important to experience and criticize the tourism handicrafts between China and Russia.