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漆艺是一门历史悠久的东方艺术,以漆树的汁液为主要创作材料。从石器时期野生漆树汁液氧化变黑的特性被先民掌握并开始了文字记录,到秦汉战国无器不髹漆,再到明清两代工艺的登峰造极,使中国漆艺名声远播海外。这都是漆艺在自我超越中达到的盛世。现代漆艺的发展应逐步从“日用”走向“精神”。从对“物”的真实使用,超越并到达对“心”的使用阶段是非常重要的。
Lacquer is a long history of oriental art, with the juice of lacquer tree as the main creative material. From the stone age wild sapropelic acid juice darkening of the characteristics of the ancestors mastered and began writing records to the Qin and Han Warring States eradicate paint, and then the Ming and Qing Dynasties culmination of crafts, so that the reputation of Chinese lacquer far-sowed overseas. This is the lacquer arts in the self-transcendence reached prosperity. The development of modern lacquer should be gradually from “daily ” to “spirit ”. From the real use of “物”, it is important to transcend and reach the stage of use of “心”.