当前戏曲面临挑战、陷于困境,虽创作未断,然力作较少,从艺术自身原因看,与音乐发展极不理想关系很大。在文化部今年初召开的京剧剧目工作会议上,张庚先生尖锐地指出:一定要重视戏曲音乐的革新发展,“音乐不过关戏就留不住”。此言可谓一语中的。戏曲作为一种歌舞剧,历来总是以声腔音乐集 The current drama faces the challenge, in a dilemma, although the creation is not broken, but the force is less, judging from the art itself, has a great relationship with the development of music. At the Beijing Opera Project Work Conference held by the Ministry of Culture earlier this year, Mr. Zhang Geng pointed out sharply: We must attach importance to the innovation and development of opera music, and “music can not stay after the show is closed.” This remark can be described in the phrase. Opera as a musical, has always been to soundtrack music