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古人常以“沉鱼落雁,闭月羞花”来形容女性之美。有关女性的题材,也是古今中外艺术创作的重要主题,中国历代均有大量以女性为题材的绘画作品和工艺美术品留存于世。在画中通过女性形象的塑造来体现不同时期的现实生活、伦理观念和审美趣味,使仕女画成为绘画艺术中具有独立审美意义的门类,并且充分体现了含蓄、顺从,优雅的儒家仕女脱,从顾恺之的《女史箴图》、张萱的《捣练图》、周昉的《管花仕女图》、赵佶的《虢国夫人游春图》、唐寅的《秋风纨扇图》等完全能说明这一点。在中国仕女面一域,古今不少画家皆以此而闻名。
The ancients often describe the beauty of women as “falling fish and falling ashes”. The theme of women is also an important theme of artistic creation both at home and abroad. There are a large number of paintings and works of arts and crafts that are subject to women in ancient China. Through the modeling of female images in the paintings, it reflects the real life, ethical concepts and aesthetic taste in different periods and makes the ladies’ painting become the category of independent aesthetic significance in the art of painting, and fully embodies the implicit, obedient and elegant Confucianism, This can be fully illustrated from the Gu Shi Zhi’s “Female History Proverbs”, Zhang Xuan’s “Dao Lian Tu”, Zhou Yi’s “Guanghua Ladies Figure”, Zhao Yong’s “Madam Queen Goblet Spring” and Tang Yin’s “Autumn Wind Fan Fan” . In China, a field of ladies and noodles, many ancient and modern painters are famous for this.