自近代以来,中国学人在建构和探索美术理论话语形态的时候,西方的美术理论体系一直是重要的参照与比对。随着学界对西方殖民与后殖民反思的加深,民族性与本土化已成为全球化趋势下的重要议题。近年来,随着中国国力日益强盛,对传统文化、民族艺术的承载和守护,已成为塑造国家形象的重要方式,加上美术交流、展览、创作日益增多,如何体现属于本民族自身的美术理论体系与话语形态,提升中国当代美术 Since the modern times, Chinese academics have always been an important reference and comparison in the construction and exploration of the theoretical discourse of fine arts. With the deepening of academic reflection on Western colonization and post-colonialism, nationality and localization have become important topics under the trend of globalization. In recent years, with the growing strength of China, the bearing and guarding of traditional culture and national art has become an important way to shape the country’s image. With the exchange of art, exhibitions and creations increasing, how to embody the art theory that belongs to itself System and discourse morphology, enhance Chinese contemporary art