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作为世界上最普及的乐器之一的钢琴,以它完美、丰富的表现力风靡全世界。它已毫无疑议地被世界认同为乐器之王,钢琴源于欧洲,钢琴艺术的主体部分属于欧洲传统文化的一部分。它作为西方文化中的一个典型传入中国已有上百年的历史,并且已经引起钢琴艺术范畴内的中西文化融合。这一融合现象同时表现于钢琴音乐的创作和演奏这两大领域中。我国已有很多作曲家们在钢琴音乐创作的民族化方面做了大量而深入地探讨,并摸索和总结出了许多成功的经验与理论。在本文中,我就以前辈们的理论为基础,从创作技术的几个方面谈谈自己对“怎样做好钢琴音乐创作的民族化”的一些粗浅的看法。
Piano, one of the most popular musical instruments in the world, has swept the world with its perfect and rich expression. It has undoubtedly been recognized as the king of musical instruments by the world, the piano originated in Europe and the main part of piano art belongs to the traditional European culture. It has been introduced into China for centuries as a typical example of Western culture and has caused the fusion of Chinese and Western cultures in the field of piano art. This fusion phenomenon also appears in the two major areas of piano music creation and performance. Many composers in our country have done a great deal of in-depth discussion on the nationalization of piano music and have explored and summed up many successful experiences and theories. In this article, I will talk about some superficial opinions on “how to nationalize piano music” based on the theories of the predecessors and from several aspects of creative techniques.