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也许因为罗达成兄正在《上海文学》上连载有关《文汇月刊》的回忆吧,最近,我老是想到当年的老主编梅朵。梅朵是一个很有特色,也极具个性的人物。他是学戏剧出身,是曹禺、吴祖光的学生,上世纪四十年代就是很出名的影评家,解放后当过《大众电影》的主编;他又是《文汇报》的老报人,在徐铸成、柯灵主持报政时编过《文汇报》的副刊;他对文艺理论也有兴趣,但只认现实主义一家。也就是说,他是老文化人,是艺术工作者,同时又是新闻工作者,还是个执着于现实
Perhaps because Brother Lu Da is serialized in “Shanghai Literature” about the “Wen Wei Monthly” memories of it, recently, I always think of that year’s chief editor Mei duo. Mei Duo is a very unique, but also very personal character. He was a student of Cao Yu and Wu Zuguang. He was a very famous film critic in the 1940s and the editor-in-chief of “Popular Film” after his liberation. He was also the editor of Wen Wei Po, Ke Ling, who presided over the referendum compiled by Wen Wei Po at the time of the referendum, was also interested in the theory of literature and art, but only recognized the realist family. In other words, he is an old man of culture, an artist, a journalist, or a persistent man