论文部分内容阅读
中国戏曲是一种高度综合的表演艺术,它的高度综合性,使中国戏曲凸显出民族文化的独特审美意识,它的融合过程多少年来被先人们探索着。各种艺术之间的学习、借鉴、吸取养分的过程,引发了一种表演边缘体重叠现象。这种边缘体的重叠现象,频频出现在各种艺术形式之间,并以其为“先锋”,引发了各种艺术之间的“追捧”。本文就京剧表演教学中存在的的自身外延的关联以及与各姐妹艺术之间的外延重叠关系进行分析,从中得到启迪和拓展。
Chinese opera is a highly integrated performance art. Its high degree of synthesis makes the Chinese opera highlight the unique aesthetic awareness of the national culture. Its integration process has been explored by the foreigners for many years. The process of learning, drawing on and absorbing nutrients among various arts has triggered a phenomenon of superimposition of edge bodies. This phenomenon of overlap of marginal bodies appears frequently among various art forms, and takes it as a vanguard, which leads to “chasing” among various arts. This article analyzes the relationship between self-extension existing in Peking opera performance teaching and the overlapping relationship with the extension of each sister’s art, from which enlightenment and expansion can be obtained.