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雷诺阿曾说:绘画不是供观赏,而是要和它一起生活。在德泮的画廊中,每一件作品都带给我们预见未来的一种揭示。实际上,每一件真正的艺术作品都是全馆师生的老师,它们教给我们文明意识的进化、表达以及全新的视野。回首画廊的前世今生,有三种迥然不同的画廊概念。在16世纪的西方,人们开始将搜集到的美术作品陈列于府邸的回廊,这是作为艺术品装饰的画廊;自19世纪以后,开始有作为鉴赏美术作品的公开陈列场所的画廊,其规模比美术馆小,但更具作品或艺术流派的针对性;
Renoir once said: painting is not for viewing, but to live with it. In Dempa’s gallery, every piece of work brings us a revelation of the future. In fact, every real work of art is a teacher and teacher of the entire museum, which teaches us the evolution, expression and new vision of our civilization. Looking back on the gallery’s past lives, there are three very different gallery concepts. In the 16th century in the West, art galleries were collected on display at art galleries, and galleries with public displays beginning in the 19th century as a place of appreciation for art work have been scaled up Art galleries are small, but more targeted by art or genre;