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依据辩证法探寻中国舞蹈如何从“扬弃”中完善进化自身:悖离“扬弃”的两种误区,即守“本”排“异”或取“异”弃“本”;舞蹈进化的三重“扬弃”,即中国舞蹈自身的“扬弃”;取舍其它艺术的“扬弃”;观众审美情趣的“扬弃”。只有把握住舞蹈向前发展的内在契机“扬弃”,在“本”、“异”兼容,以“本”为基,取“异”扬“本”的创新过程中,中国舞蹈才能在进化过程中高扬时代的旗帜大踏步前进。
Based on dialectics, this paper tries to find out how Chinese dance can perfect its evolution from “sublation”: two kinds of misunderstandings of “abandonment”, that is, keeping “Ben” arrangement “different” or “different” abandoning “Ben”; the evolution of dance “ ”, That is, the“ sublation ”of the Chinese dance itself; the“ sublation ”of other arts; the“ sublation ”of the audience’s aesthetic taste. Only by grasping the internal turning point of dance forward can we abandon it and Chinese dance can evolve in the process of innovation based on the principle of " The banner of the era of high-lift strides forward.