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长笛自19世纪末20世纪初传入中国已有百年多的历史,随着长笛演奏水平的提高,中国的一些长笛演奏家作曲家将中国的民族音乐与外国的长笛艺术相互对话融合,使之越来越多的中国长笛作品出现。长笛在演奏中国风格的作品时,不仅体现长笛的基本技巧,而且体现我国的民族特色。本文以谭密子先生改编的无伴奏长笛曲《夕阳箫鼓》为研究对象,通过对作品的音乐分析来探讨作品的写作技法演奏处理。
Flute has been introduced into China for more than 100 years since the late 19th century and the early 20th century. With the improvement of flute performance, some Chinese flutist composers have blended Chinese ethnic music with foreign flute art, More and more Chinese flute works appear. Flute playing Chinese style works, not only reflects the basic skills of flute, but also reflects our national characteristics. In this paper, the unaccompanied flute “Sunset Drum” adapted by Mr. Tan Subzi is the object of study, through the music analysis of the works to explore the writing skills of the works.