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鲁迅是中国近代一个深受中外文化影响的作家,他在对待中外文化的大致态度是肯外批中。在肯定西方文化的同时,鲁迅特别看重西方戏剧文学作品中的悲剧部分,并由此自觉地形成他心目中的“悲剧意识”。鲁迅在西方“悲剧意识”引导下,自觉改造了西方悲剧戏剧模式“命运悲剧”这种悲剧模式的内涵,使这种悲剧模式为其小说服务,从而形成了他小说《故事新编》中《奔月》这一篇中后羿充满悲剧性的英雄形象。与此同时,我们可以把鲁迅心中的“悲剧意识”及其运用“命运悲剧”模式剖析后羿形象看成是造成后羿悲剧形象的外在原因和内在原因。
Lu Xun was a writer influenced by Chinese and foreign cultures in modern China. His general attitude towards Chinese and foreign cultures was approved by the Chinese government. While affirming western culture, Lu Xun paid special attention to the tragedy part in western literary works, and thus consciously formed his “tragic consciousness ”. Under the guidance of Western “Tragedy Consciousness”, Lu Xun conscientiously reconstructed the connotation of the tragedy model of Western tragedy drama “Tragedy of destiny ” and made the tragic mode serve his novels, thus forming his novel “Story New Compilation ”in the“ Flying to the Moon, ”this article is full of tragic heroic image. At the same time, we can regard the image of Hou Yi as the external cause and the internal cause of the image of Hou Yi’s tragedy in the context of Lu Xun’s “Tragic Consciousness ” and its application “Tragedy of Destiny ”.