作为理论形态的《文学概论》，常常呈现为共时性的、静态的、自足的（能够互相解释的）状态，而它得以建立起来所用的材料又多为历时态的、动态的、发展的。这种动态的材料，既有文学创作，也有文学批评史与文学理论史等。如何将这些分散的、极难统一的材料推演、整合为一个完 The “literary canon”, as a theoretical form, is often presented as a synchronic, static, self-sufficient (mutually interpretable) state, and the material it is used to establish is mostly diachronic, dynamic, . This dynamic material, both literary creation, but also the history of literary criticism and history of literary theory. How to put these scattered, extremely difficult to deduce the material, integrated into one end