1995年世纪宝鼎屹立于联合国广场以来,国内铸鼎之风盛行。宾馆广场树鼎,纪念庆典立鼎,烧香拜佛用“鼎”,不一而足。然而迄今未见任何一件新鼎的文化艺术水平和技术水平有超出世纪宝鼎者。更有甚者,其中不伦不类者有之,似鼎似香炉者有之,造型纹饰丑陋者有之,铸造技术低劣者有之。这些“宝鼎”,与假古董、假古迹以及水平低下的城市雕塑一起混迹于世上,不仅未使观众获得美的熏陶和中华鼎文 1995 Century Baoding stand in the United Nations Plaza, the prevalence of the domestic Ding tripod. Hotel Square tree tripod to commemorate the ceremony Liding, burning incense and worship Buddha “tripod”, but full. However, so far, no one has a new tripod culture and art level and technical level beyond the century Bao Ding who. What is more, one of the non-pervasive are, like Ding-censer who has the shape of ugly utensils, casting technology who have poor. These “Bao Ding”, together with fake antiques, fake monuments and low-level urban sculptures, have not only been mixed with the beauty of the audience and the Chinese