孙陵是九一八事变之后走上文坛的东北作家,抗战时期相当活跃,但由于抗战胜利后、尤其是1948年赴台后政治倾向方面的缘故,中国现代文学史将其“遗忘”三十余年,20世纪80年代中期才“打捞”回来,已有的关注主要集中在两个方面:一是其文学生涯的综述;二是对其抗日小说意涵与审美特征的分析。其实,其散文创作也可圈可点,1940年出版的散文集《突围记》即是其代表作。这部散文集篇幅不多,但内容丰富,且富于艺术个性,尤其是被借用为书名的报告文学《突围记》,写出了随枣会战中国军队突围历程的艰险、将士的英勇、机智,也展示出部队宣传工作人员的情怀与叙事者的心路历程。景物描写亦是《突围记》的一大亮点。 Sun Ling, a northeast writer who took the literary world after the September 18 Incident, was quite active during the Anti-Japanese War. However, since the victory of the War of Resistance Against Japan, especially since 1948, the political inclination toward Taiwan, the history of Chinese modern literature changed its “forgotten” More than thirty years, only in the mid-1980s came back to “salvage”. The existing concerns mainly focused on two aspects: first, an overview of his literary career; second, an analysis of its connotation and aesthetic characteristics of anti-Japanese novels . In fact, its essay writing is also remarkable, published in 1940 essay “breakthrough Wai Ji” is its representative. This collection of essays is limited in length, but rich in content and rich in artistic individuality, especially the reportage “Breakthrough” borrowed for the title of the book. It writes out the difficulties and dangers of the breakthrough in the Chinese armed forces as it relates to the jujube battle, Wit, but also shows the feelings of the force propaganda staff and the narrator’s mentality. Scenery description is also a breakthrough bright spot.