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一、以天地造化为师在中国画理论中,有一组相互关联的范畴,就是象、意和迹这三个一组的范畴。象是自然之象,即物象.包括人物、山水、花鸟种种不同的绘画反映对象;意是主体之意。即画家的心灵与情感;迹是画作,既是自然物象的反映,又是画家主体精神反映,是画家的情感与意志的创造物。中国丽家在忠实地反映自然物象方面,有深远的传统。日本学者笠原仲二在其所著《古代中国人的美意识》一书中。就认为中国占代美和真在很多场合是同义的,而所谓的“真’’在中国画中又是与”物象之源“或”物象之本体“密切相联的。翻检中国古代画史、画论的记载,可以看
First, to make good fortune in the world As a teacher in Chinese painting theory, there is a group of interrelated categories, that is, the elephant, meaning and trace of these three groups of categories. Like the natural phenomenon, that is, the object, including people, landscapes, flowers and birds reflect a variety of different objects; meaning is the main meaning. That is, the painter’s heart and emotion; trace is a painting, which is not only a reflection of natural objects but also a reflection of the main body of the painter; it is the creation of the painter’s emotion and will. The Chinese Li family has a far-reaching tradition of faithfully reflecting the natural phenomena. Japanese scholar Kasahara Nakahara in his book ”Aesthetic Consciousness of Ancient Chinese“ in a book. We can see that China is synonymous with beauty on many occasions and the so-called ”true“ is closely linked with ”the source of the image“ or ”the body of the image" in Chinese painting. History of ancient Chinese painting, painting theory records, you can see