审美直觉的含义在很大程度上取决于哲学中直觉含义的界定。基于此 ,本文对西方哲学史中几种有代表性的直觉思想作了探讨。在此基础上 ,通过对朗格艺术知觉论与二十世纪几种艺术直觉观的进一步分析 ,认为朗格艺术知觉不仅是主体与客体、感性与理性、具体与抽象、内容与形式、抽象与移情的统一 ,而且还是对它们的超越。相对于其他审美直觉观而言 ,这是一种较为合理的艺术直觉观 The meaning of aesthetic intuition depends to a large extent on the definition of intuition in philosophy. Based on this, this article discusses several representative intuitions in the history of western philosophy. On this basis, through further analysis of Lange ’s theory of art perception and several kinds of art intuition in the 20th century, it is considered that Lange ’ s art perception is not only the subject and object, the feeling and reason, the concrete and abstract, the content and the form, the abstract and the The unity of empathy, but also their transcendence. Compared with other aesthetic intuitions, this is a more reasonable artistic intuition