在近三十年的学书历程中,我有幸问业于王镛、崔志强二位先生,应该说两位先生的艺术观是比较接近的,他们二位对于书法篆刻的创作实践观念自始至终影响着我,并令我受益匪浅。两位先生在书法篆刻创作方面所主者,概而言之无非两点,即对造型美感的强化和注重个体性情的表达。达其情性,形其哀乐是所有艺术共通性的质素,自不待多言,而前者则是当代书法创作最为显著的一个时代特质。我的篆刻创作信奉“印从书出”的理念,书法创作中所达到的高度将决定着篆刻创作成就的高下。因此,无论书法篆刻,我在审美选择上均向往一种宏肆萧散的境界。太史公评山东人曰:“民阔达多匿 In the course of nearly thirty years of study, I was lucky enough to ask for an honorary title to Wang Wei and Cui Zhiqiang. It should be said that the two gentlemen’s artistic conceptions are relatively close. The two of them have influenced the practice of calligraphy and seal cutting from beginning to end I, and I benefit greatly. The two gentlemen in the creation of calligraphy and seal cutting, in general, is nothing more than two points, that is, to strengthen the aesthetic sense of shape and focus on the expression of individual temperament. To reach their sentiments and shape their sorrows and joys and sorrows is the quality of commonality of all arts. It goes without saying that while the former is the most prominent characteristic of the times in contemporary calligraphy creation. I believe in the creation of carving ”print from the book“ concept, the height of calligraphy creation will determine the cutting edge of the achievements of carving. Therefore, regardless of the calligraphy and seal cutting, I always aspire to a macro-scale realism in aesthetic choices. Taishi public comment Shandong said: ”People open up more than hide