十多年前,我到798刘野的工作室探访。室内是空荡荡的白色,衬出两件鲜色的作品,一件是《美人鱼》,一件是《回家》,都接近于完成。《回家》画了风雪天中的一对乞讨的祖孙,老人的背影和茫然四顾的小女孩,还有一只不离不弃的小狗,显然的困苦和无望,让人心生怜悯。刘野对我说,也有国外收藏家看到这件作品,可能他们也觉得艺术终究是源于生活的,于是大胆假设,小心问刘野:“你,是不是曾经要过饭?”我也有好奇,想问问刘野另外的问题。比如,我总觉得他的记忆是有创痕的,否则如何解释他画面中流露出来的忧伤?这种 More than a decade ago, I went to 798 Liu Ye’s studio to visit. Interior is empty white, lined with two bright-colored works, one is “Mermaid”, one is “home”, are close to complete. “Home” drew a pair of begging grandchildren in the snowy day, the back of the old man, the dazed little girl, and the puppy that never betrayed. Obvious apprehension and hopelessness make people feel compassionate. Liu Ye told me that there are foreign collectors to see this piece of work, they may also think that art is ultimately derived from life, so boldly assumed, carefully asked Liu Ye: "You, is not ever to eat? I am curious, I would like to ask other questions Liu Ye. For example, I always think his memory is flawed, or how to explain the sadness shown in his picture?