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黑格尔的《美学》不是一部单纯的美学著作,而首先是一部哲学著作,必须将它置于其哲学体系的整个问题语境中来理解,必须以他的辩证思维的方法来理解,必须将它放在他对时代问题——现代性的根本思考的问题域中来理解。黑格尔将艺术定位为绝对精神的三个主要表达方式之一,它与另两种绝对精神的表现方式——宗教和哲学彼此交集,共同展现绝对精神的自我认识(真理)。艺术是绝对精神自我认识的必要环节,具体的艺术类型会衰落,艺术本身不会消亡。从黑格尔对现代性根本问题及其克服的反思看,艺术具有其独特的价值,不可能被任何东西(包括哲学)取代。艺术展现了世界的源始统一和绝对的存在。艺术近代以来的衰退不仅仅是由于艺术这种真理表达形式本身的缺陷,还是由于现代性经验所导致的。但恰恰是艺术在近代的衰退,证明了它对于现代性批判的独特价值。
Hegel’s “aesthetics” is not a mere aesthetic work, but above all, a philosophical work must be understood in the context of its entire philosophical system and must be understood in terms of his dialectical thinking Must be understood in the domain of his question of the fundamental thinking of the question of the times - of modernity. Hegel identifies art as one of the three main expressions of absolute spirit, which intersects with two other forms of absolute spirituality, religion and philosophy, to show one another’s absolute self-knowledge (truth). Art is an essential part of absolute spiritual self-knowledge, and the specific art type will decline and art itself will not die out. From the perspective of Hegel’s fundamental problems of modernity and his overcoming, art has its unique value and can not be replaced by anything (including philosophy). Art shows the origin and the unity of the world and its absolute existence. The decline of art since modern times is not only due to the defects of art itself, such as the form of truth expression, but also to the experience of modernity. But it is precisely the decline of art in modern times that proves its unique value to the critique of modernity.