一古今论书者众,而我独赏南朝王僧虔“神采与形质”说。此最能探触中国书法美学本质。二　书之神采,焕之若彰。有如摄日月之精魄,光辉其内,英华其外。每当识者目之,辄觉其风神气度溢乎笔墨间,勃勃生化出种种境界。或豪放雄健,或沉郁顿挫,或朗逸隽雅,或稚拙萧散,无不澡概胸中,撼人心魄。 An ancient and modern book of all, and I alone admire the Southern monk god “expression of God and nature ” said. This most probing the nature of Chinese calligraphy aesthetics. The second book of the gods, Huan of Ruowuchang. As the essence of the sun and the moon, brilliant, its inside. Whenever the purpose of knowledge, novice feel the wind flies between the pen and ink, the vitality of a variety of realms. Or bold and vigorous, or gloomy frustration, or Sunny Jun elegant, or naive Xiao-xiao, all shower Xian chest, awesome.