一方水土孕育一方文化。以一个北方人的视角来看,粤剧音韵婉转悠长,舞台人物多沉着冷静,咿呀哼唱的应多是儿女情长。但在第十一届艺术节期间观看粤剧《梦·红船》,却有一种耳目一新的感觉,不由生发荡气回肠、热血澎湃之感。粗略地翻阅粤剧历史,才发现这样的传统由来已久。早在清咸丰年间,粤剧戏班就曾编演“文虎、猛虎、飞虎”三军戏,响应太平天国起义,只是后来才更热衷注重唱功的“文场戏”。因此对《梦·红船》也有了新的理解,戏 One side of water culture conceived one side. From a northerner’s point of view, Cantonese opera melody has a long history, how calm the stage characters are, and howling should be mostly children’s love affair. However, watching the Cantonese opera “Dream Red Ship” during the 11th Art Festival, there is a refreshing feeling. Roughly read the history of Cantonese opera, only to find such a long history. As early as the Xianfeng years, the opera troupe once performed “Wen Hu, Tigers, Flying Tigers,” the Three Kingdoms operas, in response to the Taiping Rebellion, but later became even more keen to pay attention to singing “Wen Wen.” Therefore, “Dream Red Boat” also has a new understanding, drama