沈虹光是湖北省杰出的戏剧作家,创作了一大批影响深远的优秀剧作,但迄今文学界对她的研究和评论还很不充分。本期刊发著名文学批评家王先霈先生和郑传寅先生的相关研究成果,以期推动沈光虹戏剧研究进程。其中,王先霈的《成为西西弗斯的狄奥尼索斯——我看沈虹光的“戏剧人生”》认为,沈虹光的剧作,没有大制作,不玩形式,总是为剧团“掂斤簸两”地俭省。她创作的剧本,人物很少,不用龙套,场景设计简单。她的剧作从普普通通的老百姓的日常生活中找戏,不是向外而是向内,向着人心,人情,人性。郑传寅的《“琐细与平实中也有让人震撼的内容”——论沈虹光剧作的艺术特色》认为,沈虹光的剧作大多是平实的,有的场景甚至近乎琐细,但作者能从平实琐细的生活中发现深刻的内涵,能从平易中见奇崛,确实创造出了让人震撼的艺术作品。其题材选择,多写“当代都市的斗室微澜”;其人物塑造,多为“个性鲜明而独特的普通群众”;其艺术张力,“令人震撼,耐人寻味”。 Shen Hongguang, an outstanding drama writer in Hubei Province, has created a large number of excellent dramas that have profound and far-reaching impact. However, literary studies and reviews to her have not been sufficient so far. This issue of the famous literary critic Wang Xiangyuan and Mr. Zheng Chuan Yin related research results, with a view to promoting Shen Guanghong drama research process. Among them, Wang Xiangyan’s “Dionysos who became Sisyphus - I think Shen Hongguang ” drama life “think, Shen Hongguang’s drama, there is no big production, do not play the form, always for the theater Jin two ”jian saving. She created the script, few people, do not have the case, the scene design is simple. Her play shows the ordinary life of everyday people, not outward but inward, toward the heart, human, human nature. Cheng Chuan-yin’s “” trivial and plain also has a shocking content “- on Shen Hongguang’s artistic features” that, Shen Hongguang’s play mostly smooth, and some scenes are almost trivial, but the author can from the plain Discover the profound connotation of the trivial life, can see the extraordinary rise from the Ping Yi, indeed created a stunning works of art. The theme of choice, write more “contemporary urban micro-Lan ”; its characters, mostly “distinctive personality and unique ordinary people ”; its artistic tension, “shocking, intriguing ”.