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虽然过去曾听说过圆山晴巳的名字,也见过他的一两幅画,但作为一位版画家,他并没有给我留下太深的印象。去年底,我去深圳观澜版画基地工作,不经意间看到了一幅架在石版印刷机边上的静物画,画面上那种温暖的色调和细微的光影,牢牢地吸引了我的目光。这是圆山2007年创作的平版画《预兆signe-K》。
Although I had heard of Haruka Yamamoto’s name and one or two of his paintings in the past, he did not give me a deep impression as a printmaker. At the end of last year, I went to Shenzhen Guanlan Print Base to inadvertently see a still life on the lithographic printing press. The warm tones and subtle light and shade on the screen firmly caught my eye. This is the lithograph “omen signe-K” created by Maruyama in 2007.