人类的情感是一根纤细的丝线。可往往就是,凭藉着这根时而忧伤、时而快慰的丝线,我们在成长着记忆,找寻着自己,追逐着那还未泯的童心及彩虹似的美与梦。而陈凯歌的新作《和你在一起》便也是这样的一根纤柔、细腻的绳线,它又一次牵扯了人们脆弱而敏感的心。影片一反旧昔的陈式暴力美学、冷峻倾向,拍得朴实、唯美、温情脉脉、暖意盎然,却也让人心灵震撼。少年小春总是拐孤、执拗、叛逆、愤闷,犟劲十足的,尤其对于一个生来就被遗弃、缺失母爱的捣蛋顽皮孩童来说。萨特就提及到:“对于一个人,其童年的遭遇决定一生的命运,不可更改!”邓晓芒也曾经说过:“如果一个孩子,它小时候一直没有撒娇的机会,那么这对于它的成长,将是一个严重的问题!”片中,小春的拜师学琴求艺是伴随了一次又一次泪水、屈辱、退缩与折回的。在看到父子情结一系列内在冲突、对峙与紧张之后的那次小春终于向爸爸认错时——“我不 Human emotion is a slender thread. Often, by virtue of this sometimes sad, sometimes happy thread, we are growing memory, looking for ourselves, chasing that not yet innocent and rainbow-like beauty and dream. And Chen Kaige’s new work “with you” is also such a soft, delicate rope, it once again involves people’s fragile and sensitive heart. Film anti-old Chen’s violent aesthetics, austere tendencies, taken simple, beautiful, warmhearted, warm, but also make people feel the heart. Juvenile Spring is always shoved, stubborn, rebellious, indignant, energetic, especially for a naughty child who was born abandoned, missing maternal love. Sartre mentioned: “For a person, his childhood determines the fate of his life, can not be changed!” Deng Xiaomang also said: “If a child, as a child has not been spoiled, so it is for it ’S growth, will be a serious problem! ”In the film, Koharu’s apprenticeship piano art is accompanied by time and time again tears, humiliation, withdrawal and return. After seeing a series of internal conflicts between father and son complex, after the confrontation and the tension that Spring finally admitted to his father - "I do not