无论以何种角度而言,晚明从不缺乏关注与讨论的热度;若以艺术史发展而论,晚明无疑是书风转捩的重要时段。张瑞图、黄道周、倪元璐、王铎、傅山的探索与实践,为书坛带来了变革的风气与创新的活力——结体、章法、用笔乃至尺幅都出现了新的样式。不用说那些张扬个性、气势宏阔的大轴、长卷行草,即使以研习经典的态度而临古,也将个人特色熔铸其中。同一位艺术家不同时期的创作,也因嵌入了不同的经历与心境、审美趣味的变更而呈现 No matter in what kind of perspective, late Ming no shortage of attention and discussion of the heat; if the development of art history, the late Ming no doubt is an important period of turning style. The exploration and practice of Zhang Ruitou, Zodiacal Zhou, Ni Yuanlu, Wang Duo and Fu Shan bring about the atmosphere of change and the vitality of innovation for the book industry - the new style appears in the form of knots, the rules of the law, the use of the pen and even the ruler. Needless to say those who advocate personality, magnificent grand axis, long curricula, even if the study of the classical attitude of Pro ancient, but also the personal characteristics of casting them. The same artist in different periods of creation, but also due to embedding a different experience and mood, aesthetic changes in the show