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在叙事作品里,文章少不了要交代时间。交代时间的方法,通常是直接点明年月日等概念。但是,古往今来的作者们想出了更多巧妙的方法来交代时间,使十分单调的时间概念,显示出丰富多采的艺术效果。例如茅盾在写《风景谈》的第二幅画面时,就不说“十五月明之夜”,而写作“三五月明之友”;鲁迅《藤野先生》的开头,不说“上野的春天”,而写作“上野的樱花烂漫的时节”;袁鹰在《爸爸,你为什么还不回来》的诗里,不说“九年”,而说“墙上的日历换了九本了”,等等,就都用得很别致。
In the narrative works, the article can not explain the time. The method of explaining time is usually the concept of directly pointing out the year, month, and day. However, the authors of the past have come up with more clever ways to account for time, so that the concept of very monotonous time shows a variety of artistic effects. For example, when Mao Dun wrote the second picture of “Landscape Talk”, he did not say “The Night of Ming Dynasty in May” and wrote “The Friends of Ming Dynasty in May and May.” The beginning of Lu Xun’s “Mr. Fujino” did not say “Ueno Spring. “While writing ”Ueno’s cherry blossom season,“ Yuan Ying did not say ”nine years“ in the poem ”Why Dad, Why aren’t you coming back“ and said ”The calendar on the wall was changed for nine?" And so on, they are all very chic.