工笔画又称细笔画,属于工整细致一类的密体画法,它成熟于唐末五代,鼎盛于北宋画院,至今仍有长青不凋之势。但作为一门古老的画种,在其长期交易演进之中,历代画家费尽心血,试遍招式,各种风格、画法几乎应有尽有,以至令当今工笔画家们产生了“仰止”之叹。然而,工笔艺术的发展毕竟是没有止境的,有志于前进的画家们在取法古人的同时,并不肯匍伏在古人脚下,而是愈发精勤地求索奋取,愈发勇敢地登到古人肩膀上谱写着工笔画的簇新篇章,湖北女画家边广兰便是其中一位。 Fine brushwork, also known as thin strokes, are neat and meticulous body painting, it is mature in the late Tang and Five Dynasties, flourished in the Northern Song Dynasty Painting Academy, there is still Evergreen trend. However, as an ancient painting, in its long-term transaction evolution, painters of the past dwell on painstaking efforts, trying all kinds of moves, various styles and techniques of painting almost to their full potential. . However, after all, the development of the art of calligraphy and writing is endless. The painters who are determined to move forward are not willing to prostrate themselves at the feet of the ancients, but are more and more hard-working to find ways to gain access to the ancients On the shoulders compose a new chapter of photographic strokes, while the female painter in Hubei Province is one of them.